Category: personal

HODP in Newsday

Claire Dederer profiles me in the Sunday edition of Newsday. (No login required.)



MoorishGirl Turns Four

Earlier this month, MoorishGirl turned four years old. In blog years, I suppose that makes me a dinosaur. But, oh, it feels good!

Since it appeared in 2001, MG went from a few dozen readers to nearly 10,000 unique visitors per day. MG readers come from the U.S., Morocco, France, the U.K., Egypt, Spain, Italy, Holland, Israel, Hong Kong, and many other countries around the world. Most readers check the site while at work or at school. A few work in the publishing industry, others in the media, and a handful for government. Marhaba, everyone.

Here is what I have planned for the next few weeks: Guest reviews of several novels, including Yom Sang-Seop’s Three Generations, Naguib Mahfouz’s The Dreams, Dan Olivas’s Devil Talk, and Donna Seaman’s Writers on the Air; book recommendations from Hayan Charara and Rigoberto Gonzalez; giveaways of Wendy Lesser’s A Pagoda in The Garden, Leila Aboulela’s Minaret, the new anthology Waking Up American, and the Memoirs of Ahmed Kathrada; in addition, of course, to literary commentary, rants about various news, and updates from my book tour.

I no longer have a comments box for each post because I grew tired of deleting spam, but I welcome your suggestions. If you want to communicate with me, feel free to email me.






Reading Recap: Annie Bloom’s Books

Audience: About 30.
Anxiety index: 6 (out of 10).
Books given away: Wickett’s Remedy by Myla Goldberg and South African and leading anti-Apartheid figure Ahmed Kathrada’s Memoirs.
Surprise guest(s): Loggernaut‘s Jesse Lichtenstein.
No. of Moroccans who said hello: 2.

I wrapped up the West Coast leg of my book tour last night at Annie Bloom’s Books, here in Portland. A reader in the front row took copious notes throughout, which I suppose is both flattering and intimidating. It’s not the first time it’s happened at one of my readings, and yet I’m just not used to it.

I also had a great time during the Q&A because the audience was so engaged–lots of interesting questions about the book, the research, immigration, the process of writing, etc. Great crowd.