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Known/Unknown Stories

One of the books I’ve discussed with my creative nonfiction students this quarter is Zeitoun, Dave Eggers’ compelling account of Abdulrahman Zeitoun’s attempts to help fellow New Orleans residents stranded by Hurricane Katrina, Zeitoun’s eventual incarceration on charges that were never revealed to him, and his wife’s attempts to have him released. Because the book focuses on one individual’s subjective experience, it offers a version of the cataclysmic events in New Orleans that is radically different from the one we’ve seen on our television screens or read about in newspapers. (Remember, for instance, the babies-being-raped-in-the-Superdome story? Or the looting-gangs-roaming-the-streets-of-the-city story? Both false.)

Not long after we had wrapped up our discussion of Zeitoun, it was announced that Osama bin Laden had been killed in Pakistan. The news was covered uninterruptedly on our televisions and radios, in print and online. And yet I couldn’t help but wonder which details of the official story would change. A few, as it turned out. Bin Laden used his wife as a human shield, then he didn’t. He had a gun, then he didn’t. He resisted capture, then he didn’t. He was buried according to Islamic tradition, then he wasn’t. We may never really know what happened in Abbottabad a month ago, or maybe we will, many years from now, when the details of the story will no longer hold so much value—political, personal, mythological—for those who are telling it.

Photo credit: The Zeitoun Foundation.



University of California: Is This The End?

Have you ever used an Apple product? Have you ever seen pictures of the surface of Venus or Mars? Have you ever watched The Godfather trilogy? Have you ever read Slouching Towards Bethlehem, The Year of Magical Thinking, Salvador, or The White Album? If you’ve answered yes to any of these questions, then you’ve benefited from the kind of contributions—in the arts and in the sciences—that the University of California makes every day to its state and to the nation. Apple was co-founded by Steve Wozniak; planetary exploration pictures are made possible by the Jet Propulsion Laboratory, whose director is Charles Elachi; The Godfather was directed by Francis Ford Coppola; Slouching Towards Bethlehem was written by Joan Didion; all four of these innovators and artists are UC alumni.

But the University of California is now being slowly dismantled, and its mission of public education perverted, thanks to the budget cuts it has had to absorb over the last few years. My friend and colleague Tom Lutz, who teaches at UC Riverside, and who was, until last week, the chair of the Creative Writing program, has written a letter to explain what the cuts mean to you, the average Californian (or the average American.) With his permission, I am posting it on this page. I urge you to read it and to distribute it widely:

Dear colleagues and students,

After a year and a half as Chair of the department, I am stepping down. Professor Andrew Winer will be taking my place, for which we should all be grateful.

As my last act as Chair, I would like to share with you my sense of the gravity of the situation we face. I spent most of my academic career doing what most of us do—teaching, writing, reading graduate applications and theses, having office hours, reading in my field, doing research. I didn’t pay much attention to the University and its administration. None of us have that luxury anymore. Budget cuts after budget cuts after budget cuts have left us all painfully aware of how the sausage is made, or not made.

Having served in administrative posts for most of the last five years, I have come to know the budget issues very well. We are now past the tipping point. We are on a rapid downhill slide that will have profound effects for our state, our families, our country, and our world.

In the space of less than a single lifetime, the University of California, Riverside went from being a small agricultural experiment station to being one of the top 100 universities in the world. An incredibly dense and elaborate web of specialists across all fields of scholarship, science, and the arts was developed, and it took enormous efforts by thousands of people over those years to make it happen. In less than the four years it used to take to graduate, it is being destroyed.

Our department is a great example of the breadth of vision and dogged effort that has made Riverside the exceptional place it has been. There are other creative writing programs in the country, but not a single one anywhere with the range across genres and fields, with the breadth of knowledge in world literatures, with the diversity of voices, methods, and styles that we have. And there is not another creative writing program anywhere—and certainly none with our caliber of professors—that is more truly dedicated to its pedagogical mission at every level. The faculty at Princeton is perhaps a bit more famous, but undergraduates there never meet them, much less have access to them in, before, and after class. I have now taught at every kind of school—fancy elite universities, small colleges, Big 10 universities, art schools, and universities abroad. I have never been part of a faculty this student-centered, this concerned about the educational experience and future prospects of its undergraduate and graduate students.

Three years ago I was offered a job at USC, which is much closer to my house, more prestigious as an academic address, and was offering me more money. UCR worked hard and did the best it could to match the salary and I stayed. I stayed because I wanted to be part of this project, I wanted to teach a student body that is over 85% first-generation college students, that comes not from the richest families in California but some of the poorest, students that have a much greater likelihood than not of coming from immigrant families and from families that speak other languages as well as English. I wanted to remain part of one of the greatest democratic experiments in history, and certainly one of the few greatest experiments in public education in the history of the human race, the University of California.

If I got that offer today, though, I’m not sure I could turn it down, and, in fact, many people are not turning down outside offers these days. People who have taught here for more than twenty years are now considering going somewhere else, somewhere the future is a bit more certain. These are people who are the best in their field—you don’t get outside offers unless someone thinks you are among the best in your field—and UCR, and the educational experience at UCR, is diminished each time this happens, each time one of the best of our best leaves for a better job. We can’t blame them—they have kids of their own to put through college, they have research projects that require funding, they know that to teach the most complex subjects effectively, they need to run seminars with 15 students sitting around the table, not 150.

The budget cuts of recent years and the ones we know for certain are coming next year mean a gross deterioration of our school. Those faculty who leave for better jobs are not being replaced. Many of you know Yvonne Howard, who has been the chief administrator for our department since it was founded. This year her job was unceremoniously terminated. Staff people and faculty who retire are not being replaced. Next year students at UCR will have trouble getting the classes they need, and many of the classes they get will be crowded beyond responsible limits. Departments are being forced to abandon optimal class-size limits for classes two, three, and five times that size. The library has virtually stopped buying books. We are on a race to become a mediocre university at best, and if the $500 million of proposed cuts to UC turn into a billion dollars, as they are now discussing in Sacramento, we will be over. The billion dollar cut translates into thousands of classes across the system. It means creative writing workshops with 50 students. It means we will cease to be a real university, and will simply become another community-college-level institution at best. Then, maybe, after a few years, with tuition at $25,000 or $30,000 a year, we can begin the slow, arduous build back into a real university.

Why is this happening? Political demagoguery and corruption. Thirty years ago UC received 9% of the state budget and prisons 3%. Now UC gets 3% and the prison-industrial complex gets 9%. The legislature is taking the money that should be used to educate the best of its citizens and using it enrich the people who make a profit from the imprisoning the poorest. The percentage of the cost of higher education provided by the state has been cut in half, cut in half again, and is on the verge of getting cut in half a third time. The people in the legislature understand the value of public higher education—the vast majority of them (in any given year over 80%) have degrees from our state system, and many of them have multiple degrees—all made possible by the legislators who preceded them, and who had more courage. They do not protect the University for a very simple reason: if they do, they will suffer a flow of conservative attacks and Tea Party racism, funded by the Koch brothers and their ilk, the standard price if one stands up for anything that is directly devoted to the commonweal.

In my darkest moments, I think the monied interests working against reasonable taxation are doing so because they consciously, actively seek to make sure we do not have an informed, educated citizenry, the better to extract our collective labor and wealth unimpeded. But such intentionality isn’t necessary. Simple, short-sighted, grab-it-now, bottom-line greed explains their destruction of our culture, without recourse to any dystopian conspiracies.

The only thing that has a chance of turning this devastation around is student activism. We in higher education cannot spend millions of dollars on campaign contributions the way the prison profiteers or the medical and insurance and aerospace industries do, so we need to find other ways to provide a political counterweight. We need to make our voices heard. For you students, your own self-interest should be the catalyst, as you will, no matter what happens this year, have trouble finding the classes you need, much less the ones you want, and the chance you will graduate in a reasonable amount of time is already gone. But you should also think of what this means for your families, your neighbors, your friends, your own kids when they come of age. And think what it means if California reduces its higher education budget to the levels of Missouri or West Virginia—we will become like those places. Because of its education system, a system that, until just a few years ago, has always been considered the best in the country, California has been among the most innovative and significant literary and cultural centers in the country, and because of this education system, too, California has been the economic powerhouse it has been—1000 research and development companies a year are formed out of the UC system, for instance, and four UC inventions a week are presented to the patent office. We had the best educational system because we were willing to pay for it, and our expenditures were among the highest in the nation, too. In a few short years we have dropped into the middle in state spending, and we are fast falling even farther. Only a political movement strong enough to buck the corporate money determining our tax policy can change this downward spiral. Only you can make that happen.

We have been told, from the top, not to expect a return to ‘the glory days.’ This year was not the glory days. This year we already have discussion sections that are not discussions, fewer classes, an exploded faculty/student ratio, decimated staff; we are very far from the glory days. Now that either 500 million or 1 billion additional dollars are getting yanked out of the system, your favorite lecturer will be gone. The class you wanted won’t exist anymore. Your student advisor will have 800 or 1000 students to advise instead of the 300 we all agreed was an absolute maximum two short years ago. This is the end of quality. And why? Because a few very wealthy people are protecting their wealth from taxes, taxes considered reasonable not only everywhere else in the developed world, but considered reasonable in America until the last 20 years.

I hope you get angry. I hope you get active. Call and write your legislators, get out in the streets, take back your university, don’t let yourselves be the last people to have even this chance.

Tom Lutz
Professor and Chair, Department of Creative Writing

You can contact Governor Brown here. And you can find out the contact information for your assembly member here. Write to them and let them know how you feel.



Exile and the Kingdom

I spent last weekend camping in Death Valley. Actually, “camping” isn’t quite the right word for it, since we had an air mattress, pillows, foldable chairs, and—luxury of luxuries—fresh coffee. But we slept in a tent, we went on several hikes, and I didn’t do any work, so that counts for something. I’ve had a hard time coping with being back, though—not just because of the mountain of mail and email that was waiting for me, but because the news lately has been unrelentingly terrible.

Then today, I heard about the bomb at the Argana cafe in Marrakech, in the middle of the day, just when the place was packed with people. The last time I was in Marrakech, in 2007, I had tea at the Argana, which overlooks the famed Jemaa el-Fna square. I remember that, walking out of the cafe late in the day, I was accosted by a soothsayer who insisted on telling me my fortune. The cards, she said, were very good; they were full of promise, and my promise got even better after I tipped her. This was an anecdote I considered amusing, something I might have told friends at dinner, to joke about how a good tip can give you a good future, but today I thought about it and it seemed completely bittersweet to me.

I remember walking around the square and helping an American friend buy her first tagine set. I remember haggling over the price of a carriage ride, which would take my friend out of the square to see the ocher walls of the city. I remember the meloui I had for breakfast on my last day, how the honey on it was laced with the taste of lavender. I remember so much. And then I think how useless my memories are. It was Camus, wasn’t it, who wrote that the sorrow of exiles is to live with a memory that serves no purpose. That is how I feel.



Quotable: Miguel de Cervantes

I’ve been thinking lately about the ways in which novelists use prologues or author’s notes to frame the stories they tell, to emphasize particular readings of the novel, to draw attention to stylistic devices they intend to use, and generally to place the book in a specific context. (Think of the foreword to Lolita, for example.) One of my favorites is the prologue of Don Quixote, where Cervantes pleads with the reader to be indulgent toward the story, because it lacks much of what he may expect from other novels of chivalry, and because it is not a fictional story at all but the true history of a knight’s adventures. Cervantes shares his concerns with a friend:

“Because how do you expect me not to be worried about the opinion of that ancient legislator called the general public when he sees that after all this time sleeping in the silence of oblivion, and burdened by the years as I am, I’m coming out with a book as dry as esparto grass, devoid of inventiveness, feeble in style, poor in ideas and lacking all erudition and instruction, without any marginalia or endnotes, unlike other books I see that, even though they are fictional and not about religious subjects, are so crammed with maxims from Aristotle, Plato and the whole herd of philosophers that they amaze their readers, who consider the authors to be well-read, erudite and eloquent men? And when they quote the Holy Scriptures! Anyone would take them for no less than so many St Thomases and other doctors of the Church; and here they maintain such an ingenious decorum that having depicted a dissolute lover on one line they provide on the next a little Christian sermon, a pleasure and a treat to hear or read. There won’t be any of this in my book, because I haven’t anything to put in the margins or any notes for the end, still less do I know what authors I have followed in my text so as to list them at the beginning, as others do, in alphabetical order beginning with Aristotle and finishing with Xenophon and Zoilus or Zeuxis, even though one was a slanderer and the other a painter. My book will also lack sonnets at the beginning or at least sonnets whose authors are dukes, marquises, counts, bishops, ladies or famous poets; though if I asked two or three tradesmen friends of mine, I’m sure they’d let me have some, every bit as good as those written by the best-known poets in this Spain of ours. In short, my dear friend,” I continued, “I have decided that Don Quixote shall remain buried in his archives in La Mancha until heaven provides someone to adorn him with all these attributes that he lacks—I’m not up to it, because of my inadequacy and my scanty learning, and because I’m naturally lazy and disinclined to go hunting for authors to say what I know how to say without them.”

I love how Cervantes so humorously ties every writer’s worry (being found a fraud) with every writer’s ambition (writing a great book that will earn acclaim), and, by so doing, prepares the reader to enjoy his unique book.

Illustration via.