The Half-Known World
So far this year, I’ve read thirty-four books—novels, memoirs, biographies, academic stuff—but only one book on the craft of writing. I don’t really like how-to books on fiction, because too many of them come equipped with check lists of things you should do in order to write. But this particular book was great: The Half-Known World, by Robert Boswell. It’s a collection of essays that address different aspects of writing and, for me at least, offer a few new ways of looking at literary fiction. The title essay, for instance, makes an excellent argument against knowing everything about a particular character or world.
It should be no surprise that the fully known worlds presented on television and in commercial movies are populated by stereotypes. To call a character a type is to say that he’s so true to a group of characters that he is indistinguishable from all the others in that group. Here’s another definition of stereotype: any character that is fully known.
I met Boz in 2006, at the Bread Loaf Writers’ Conference, where I was a fellow and he was my faculty mentor. (He was smart, funny, and generous, and I will forever be grateful to him.) The lecture he delivered at the conference that year was called “Process and Paradigm.” It’s included in this collection. So if you’re looking for a good book on craft, try this one. It’s good.