Quotable: Marguerite Duras

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Here is a brief excerpt from Marguerite Duras’ The Lover, published in 1984:

I think it was during this journey that the image became detached, removed from all the rest. It might have existed, a photograph might have been taken, just like any other, somewhere else, in other circumstances. But it wasn’t. The subject was too slight. Who would have thought of such a thing? The photograph could only have been taken if someone could have known in advance how important it was to be in my life, that event, that crossing of the river. But while it was happening, no one even knew of its existence. Except God. And that’s why—it couldn’t have been otherwise—the image doesn’t exist. It was omitted. Forgotten. It never was detached or removed from all the rest. And it’s to this, this failure to have been created, that the image owes its virtue: the virtue of representing, of being the creator of, an absolute.

I am really intrigued by the structure of this novel, by how Marguerite Duras composed it, almost like a collage, and yet the narrative still manages to move forward smoothly. It works so beautifully to reinforce the themes of memory and forgetfulness in the the book.

Photo: Autores e Libros.

Who is Laila Lalami

Laila Lalami is the award winning and best selling author of six books.

What books has Laila Lalami written?

Laila has written the novels, Hope and Other Dangerous Pursuits, Secret Son, The Moor's Account, The Other Americans, and The Dream Hotel.

What awards has Laila Lalami won?

Laila Lalami has won the American Book Award, the Arab American Book Award, the Hurston-Write Legacy Award, a Guggenheim a Harvard Radcliffe Fellowship, and a British Council Fellowship. Her work has also been a finalist for the Pulitzer Prize, the National Book Award, the Booker Prize, the Women's Prize, and the Edgar Allan Poe Award.