The Lit Mag Roundup is a new, quarterly feature at Moorishgirl.com, in which North Carolina-based fiction writer Katrina Denza shares her literary discoveries of the season.
I bought my first literary journal subscription in 1999. A longtime reader of novels, that was the year I’d begun to explore writing. I don’t remember where I first saw an issue of Story, but after I read a copy, I fell in love with the short story form and subscribed. I still have on my desk an old issue of the now-defunct magazine, edited by Lois Rosenthal and Will Allison, and featuring stories from Tim Gautreaux, Matt Cohen, Ingrid Hill, and the late Carol Shields, to remind me of when my excitement for short stories first ignited.
Now, my bookshelves are filled with literary journals. I subscribe to at least twenty a year, and piled in stacks all over my house are samples from over sixty journals. They are as important to me as the short story collections and novels with which they share shelf space. This is all well and good for me, but if I were to ask some stranger on the street if he’s heard of a particular literary journal, most likely his answer would be no. I wonder how it is that such amazing work is left to collect dust in the few bookstores that carry them, or kept insulated in the academic world. If books are the showy muscles of the literary world, then journals are the blood: hidden, self-renewing, and essential.
The vast array of print journals is staggering. Some are associated with universities, others are independent. Some journals such as Zoetrope: All Story; Orchid; Land-Grant College Review; and One Story print all fiction. Many journals, like Missouri Review; AGNI; The Kenyon Review; Virginia Quarterly Review; and others of similar quality offer an excellent mix of fiction, essays, poetry, art, author interviews, and book reviews. Some focus on poetry (Borderlands, Poetry, and Beloit Poetry Journal). Still others specialize in offering short-shorts (Vestal Review, Brevity, Quick Fiction, SmokeLong Quarterly) or a mix of poetry and prose poetry (Cranky, The Bitter Oleander, Parting Gifts). There are journals that showcase women (Iris, Calyx, Emrys Journal) and others that feature stories about, and for, mothers (Brain, Child and Literary Mama). Most are glossy covered, some are stapled together, some have unique packaging (McSweeney’s), and one even has an artful hand-bound format (Spork). The choices seem unlimited, something for everyone.
Because I’m a visual person, I’ve picked up a journal solely on the vibrancy of the cover. Some journals I buy out of curiosity and a few get my subscription money simply because one of their fiction editors went out of their way to be encouraging or supportive of my work. A journal’s reputation may induce me to pick up a copy or subscribe for a year, but it’s not what keeps me going back for more. Here’s what does it for me: excellent, attainable fiction and poetry, beautiful art, and an encouraging, courteous staff. There are many I love–it would be hard to name favorites. And like my books, I buy more than I could possibly read with the thought I’ll get to them eventually. In this new year I plan on getting to know them better and sharing my discoveries. I’ll begin with two recent examples of literary excellence:
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